Category: Folk Rock

What can you get for a Tenner? Rough Trade Container Chuck Out and Wobblers.

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Ok this bunch cost £12..4 in 2 £3 for a fiver deal and rest £1 from remnants of the great Florida Container dump of October 2025. Rough Trade imported a huge load of chuck our USA vinyl as Student bait and it worked for a while then everything got reduced from £5 each (crazy) to a more reasonable £1. In amongst this stuff I found some gems which I still going through.

Hamilton Camp: here’s to you. Warner Bros 1968.

Not very exciting cover until I turned it round and I saw this

Now that is A-List Wrecking Crew band in a Hollywood Studio. Not a bad musician anywhere and anything with Van Dyke Parks (Brian Wilson’s mate) on …and Hal Blaine…no-brainer. Bud Shank plays flute on brasilian feel Seven Circles.

It’s a stunner sunshine baroque pop by an English actor who started pre Dylan with Bob Gibson. Apparently Camp also had a Paths to Victory Lp which a stunner too giving great renditions of then obscure Dylan songs not on general release.(it on my list). I played it several times still a winner slight marks on one track but well worth a quid. Production is pure Van Dyke Parks feel..special. Best song Travellin in the Dark. Written by a couple who managed and worked with Cream and the wife ended up shooting partner. Could I make that up the song is so wonderful like a weird Nebraska out-take.

So here’s a £3 LP (£2.50) and again a cracker I went with cover basically felt right..

Turns out I right this guy not only a revered Jazz player from 1950s onwards but wrote the Hollies song he ain’t heavy he’s my brother and the theme music for the film Taste of Honey. If hat not enough he produced a whole load of Lps including a Nana Mouskouri Lp which apparently fab called Nana.

Didn’t sing that much but here he does and it is sublime. Another Warners Brothes Lp 1971 a promo copy.

Favourite track hard to say maybe this one…Willoughby Grove this pre Elton John Tumbleweed the guy a ace…has feel of best of Mickey Newbury high praise indeed.


Full album here….rarely does a lost classic actually deserve the accolades this does..

https://reflectionrecords.bandcamp.com/album/robert-william-scott

Third LP is a tad dissapointing looked up the UK artist was a writer and member of Ronnie Lane’s Slim Chance band and actually co-wrote How Come with Ronnie. The Lp title seemed promising and some of the tracks are good but it just lacks a killer song. Produced by The Shadows drummer Tony Meehan on label financed by same people who brought you the Marmalade label including Blossom Toes which Kevin W was in. Best track probably ‘The Girl’ which reminds me of a Robert Forster solo track. I like rock and roll is pure Canvey Island pub rock.

Fourth oldie is a right puzzler. Has Nils lofgren and bonnie Rait on BUT its batshit. Mr Johnson admits to be being both brilliant and having some substance issues including going AWOL on record company advance with John Cale…..PETER C JOHNSON

This his first LP was home-made in a McCartney way i.e. some pretty expensive kit lying around and sounds outrageously good yet the songs are KAK. Real post Robert Palmer Punk never going to happen MOR kak. I will post one you will get gist.

Peter C. Johnson was one of the driving forces in the Boston music scene in the late ’60s. His singer/songwriter style was a big influence on the young musicians coming through the area, including a relatively unknown Bruce Springsteen. He teamed with Astral Weeks session player John Payne to form the Manic Depressives, a band best known for backing Bonnie Raitt, although they performed with Howlin’ Wolf numerous times during this period. The band broke up following a fistfight at a gig, and Johnson disappeared for a few years. When he reemerged, he had completely rethought his approach, this time performing with six mannequins and a fortune in electronic equipment that provided a chorus of voices and music behind what he was playing on-stage. He released a self-titled album on A&M, which was a critical success but never quite caught on with the record-buying public. On top of this, a poor contract left him penniless after his touring expenses caught up with him. He recorded an album with John Cale soon after, but eventually disappeared after trying to rehab his drug problem.

Ok so that the old stuff now a couple of what RT refers to as wobbly wax which can cover a multitude of sins. In some cases and I suspectthese two a case in point its old stock that been lying on shelf since day one so ends up reduced. I had passed these two many times to point where at £3 each seemed worth investigating. I had ehard of TJO a bit as a artist that had worked with James Elkington and Steve gunn good sign. Iwas pleasantly surprised the LP is very ambient/transcendental blues and more mellow than mellow. Still worth a £3 dive. filed with Owls of the Swamp in contemporary singer/writer mystics territory. You can guess most of that by the cover.

Chose this track as it seems to be a Navajo chant vibe..

finally another £3 ‘wobbler’ and bought purely on basis of label Village Green is contemporary ambient/electronic/classical label my freind Pete astor side project with David Sheppard Ellis Island Unit released on this label. Chris Morphitis is world/ambient/electronic bit of Steve Reich in this track but pretty eclectic overall.

So there you go what can you get for a tenner these days….there your answer Ok £12…..its only numbers.

The Lost American Songwriter – Tom Pacheco

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Back in the olden days before Camden Town turned into a cheap seaside and etsy version of itself..before coffee shops and beardy tattoo parlours there was an excellent record shop at 281 Camden High Street called Rhythm Records just before the canal on the right hand side headed towards Kentish Town.

I know because I used to spend my 1980s wages in there on a regular basis as at that time it was the best shop after Rock On for new American folk, country and blues lps. Indeed I preferred the basement there as I remember distinctly their wall displays of Tom Russell, Rosanne Cash, Terry Clarke, Christy Moore etc etc and lps like this.

The first Tom Pacheco Lp was on a fledgling Round Tower label out of Dublin financed by Clive Hudson of CBS apparently and he released ‘Eagle in The Rain’ recorded in Dublin and with a great Irish musical line-up which included Arty McGlynn and even included Uillean Pipes such was the Irish feel to it. At this period I was fast realising my ambition to be the UK Nick Cave was falling on deaf ears and I had discovered Texas Songwriters through Townes Van Zandt. Reading Folk Roots and Arthur Wood’s articles in Country Music People I avidly sought out any new post Dylan guy who could pen a literate toon.

Amongst these Mr Tom Pacheco stood out. Little did I know then that this dude had been there all the time actually releasing a self-penned ‘New Dylan’ Lp when just 19 years old. This is that LP…

Tom Pacheco – Turn Away Fom the Storm (1965)

So some 25 years later our Dylanite turns up in Dublin and produces a corker of a singer-songwriter LP the tunes of which I still know even though I not heard in many a year. Opener Roberta and Ramona is a almost talking blues with Springsteen overtones but is pure Pacheco. The sleeve art is out of Gram and Emmylou picture book and the overall tone is very left-wing almost Green Party before it existed fully. Pacheco’s father was a jazz musician and his brother played in the legendary gararge rock band The Remains. He was well-versed in rock mythology and also knew his post Guthrie dustbowl lineage. I think this LP appeared alongside Peter Rowan’s Dustbowl Children, Dave Alvin solo works and Butch Hancock’s Demon retrospective. He belonged in such company and of course Tom Russell and Barrence Whitfield were on the newly re-named Round Tower records.

Tom Pacheco – Eagle in The Rain (1989)

Now I confess I know I saw all of the above play but I cannot be sure if I ever saw Tom play which surprising. My feeling is I missed out. I left London in 1989 taking this LP with me and only returned in 1991 at which point I had deluded myself enough that I was Townes Van Zandt that I sent a tape to Round Tower after meeting the woman in charge in London at a Tom Russell gig.
She was talking to the legendary John Tobler who had already been a victim of my lo-fi tape extravanganza ‘Black River’. He said with a voice like mine I should write..wise words..

Shaun Belcher – Black River (1991)

Tom Pacheco was in that mix of influences by then and I guess I still have a craving to sound like a cool stateside songwriter but things do fade in time.

Now I really do write about it.

The lady at Round Tower kindly replied to my tape with a polite close but no cigar message and a pack of Round Tower cds which included Tom Russell and Barrence Whitfield and I believe the first of these cds Sunflowers which I have treasured ever since.

Years later in Oxford I met up with my friend Terry Clarke whose LP I had also seen in Rhythm Records and it all connected to Flyinshoes Webzine. There I interviewed a whole raft of similarly obscure songwriters from the states…

The Lost American Songwriter Review is what it should have been called.

So here I am 30 years later suddenly surprised by a whole set of Tom Pacheco cds in a charity shop some signed to Andy who I believe was a local Americana fan who passed away in last few years.
Tom P probably played the Maze at some point for my buddies at Cosmic American but I managed to miss him….I saw just about everybody else.

Maybe I should start a new webzine called The Lost American Songwriter Review because so many great talents like Tom have slipped from view. They were never under the radar let alone on it. People like James Talley and Tom Ovans who continued the Guthrie/Dylan tradition of protest onwards into the 70s and beyond.

That idea is for another day..for now although thirty years late..I have a whole lot of Tom Pacheco to catch up on. Cheers Tom and wherever you are I wish you sláinte….And may you be in heaven half an hour before the devil knows you’re dead” a true Outsider..

For further Tom music try this for starters…what a cover..

Or visit his Adobe..https://www.tompacheco.com/

Finally Tom in his prime and that gig I seem to have missed!

Oh and Round Tower lable is a treat it started in 1987 and ended in 2000 but put out a lot of excellent recordings.

https://www.discogs.com/label/224019-Round-Tower-Music

Pete Pawsey and Burnt Paw – JamCafe Nottingham 28th December 2017

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I have not written a review in many years.

In fact the last attempt was the first blog post on this website back in October 2015 when I saw Ron Sexsmith play a lovely solo set at the Glee Club Nottingham.

Last Thursday an old music journalism friend Pete Pawsey was over from North Carolina and supported by Burnt Paw (Andrew Green) played a lovely set of traditional folk and blues material.

I celebrated this by getting my old reviews notebook out (see images below) this pretty much ended in 2004 when I passed Flyinshoes Review on to Rob Ellen and I pleased to say it still going strong 😉

http://flyinshoes.ning.com

This the Burnt Paw/ Pete Pawsey entry including Burnt Paw drawing which he gives out to audience at his gigs..

 

both performances were excellent and I have a video of Pete doing stirling renditions of Randy Newman’s ‘Birmingham’ and his own ‘Yesterday’s Clothes’ which I hope to post in due course with his permission.

Listen to more Burnt Paw here https://burntpaw.bandcamp.com/

His songs were arcane americana themed with a real feel for Jansch/Renbourn/Davey and lashings of Fahey but most of all he reminded me of a similar wandering spirit Michael Chapman.

Pete Pawsey and Radar’s Clowns of Sedation here  https://www.reverbnation.com/radarsclownsofsedation   

Pete played some lovely Randy Newman and Tom Waits/Nick Cave covers interspersed with some well written own tunes especially ‘Yesterday’s Clothes’.

A few hours of backwoods mysticism in a chilly and almost dead post-Christmas Nottingham was a joy to witness.

Meanwhile here photos from the gig.

Joe South – Midnight Rainbows

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Bargain of the year! This almost mint copy of Joe South’s second to last album from 1975 cost me 50p.

I have seen cover many times over the years but never investigated further.

Once I put it on the deck I realised it a keeper. There a very full and beautifully written eulogy to the man here:

http://deeprootsmag.org/2012/09/11/for-all-he-gave-and-for-giving-his-all/ 

This says all you need to know about his career going back to the late 1950s. I never knew he played bass on Blonde on Blonde nor that he was such a rated guitarist and was experimenting with guitar techniques and hacks way back. A new hero.

The album is astonishing and indeed Nillson and Beatlesque in its depth and variety. He had spent four years ‘missing’ following the suicide of his brother and this album was some kind of a comeback. From the sitar playing on the famous Games People Play he had been an innovator but I still unprepared for just how good this LP is.

It made me pull out a See for Miles reissue of his first album Introspect. I also found a double CD rip of the two later albums Games People Play and Joe South. All highly recommended..Southern Roots at its best.

Here the man himself on youtube in 1969 TV appearance..

https://www.youtube.com/watch?v=5znh58WITU8

 

DISCOGS PAGE : https://www.discogs.com/artist/325103-Joe-South

Eve of Destruction – Barry Maguire

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maguire

Do not know where or when I picked this up. Probably bought for the cover and a little familiarity with the title track. Produced by Lou Adler on his own Dunhill Records which had bigger hits with the Mama and Papas and Carole King. We are firmly in ‘New Dylan’ territory and it not surprising that fellow folkie P.F.Sloan provides a couple of tracks alongside Dylan himself. The Dylan covers are polite and pleasant. The production pure Terry Melcher or CBS studio A Johnston . The stand out is this the title track. A cold war track of unending relevance even now sadly. Maguire found religion and became a major artist on The God and Jesus circuit long before Dylan found himself ironically. Overall a novelty record but worth it for a couple of nice tracks. I once had the P.F.Sloan greatest hits which overall a better album. I believe P.F.Sloan made a comeback recently just before he passed away in November 2015. Here’s the track..enjoy.

For more on Maguire see http://www.barrymcguire.com/ he a little less hair now…

sloan

P.F.Sloan OBIT: http://www.rollingstone.com/music/news/p-f-sloan-eve-of-destruction-songwriter-dead-at-70-20151116